Criteria for publishing

9. február 2017 Autor: Štefan Haško
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1. Do use, if you can, Times New Roman font, size “12pt”,file format „doc“ or „rtf“.

2. Do insert Abstract with a limit of 10 lines or 900 characters with spaces and keywords in a separate line.
3. Range of paper: no longer than 12 standardized pages (or less than 30 000 characters with spaces).
4. Your paper needs to be sent with no other formatting or amendments. If your paper contains pictures, do send your paper in "pdf" format too.
5. At the end, below bibliographic references, do state your first and last name, including your degrees and place of work.

Notes, citation and references:
I. Insert notes by function „Insert Footnote“. For citation, please use the Harvard (‘author-date’ style) system of referencing. (Author’s Last Name Year of Publication, Page Number(s)) Example: (Austen 1813, p. 64)

– You are also permitted to include the author’s name in a sentence, omitting it from the brackets. Example: Austen (1813, p. 64-67) observes that…
– If you are referring to an entire work, include only the author’s last name and year of publication in brackets. If you are referring to part of a work, you must include page numbers or their equivalent (see specific examples for more information).
– When citing a source you have not read yourself, but which is referred to in a source you have read, use the following method: Moore (as cited in Maxwell 1999, p. 25) stated that…
II. Bibliography numbered in alphabetical order needs to be done in the following way: SURNAME, N. Year of publishing.Title of source. Place of publishing: Publisher. ISBN

1) Monographs:
RICHERSON, P., J. and BOYD, R. 2012.V genech není všechno aneb Jak kultúra změnila evoluci člověka. Praha: Academia. ISBN 978-80-200-2066-6.
ŠOUREK, K. et al. 1938.Umění na Slovensku, odkaz země a lidu. Praha: Melantrich.

2) Almanacs, textbooks, edited sources:
KULKA, T. and CIPORANOV, D., eds. 2010.Co je umění?Textyangloamerickéestetiky 20.století. Praha: Pavel Mervart. ISBN978-80-87378-46-5.

3) Magazine articles:
SHUSTERMAN, R. 1999. Beneath Interpretation: Against hermeneutic Holism. In: The Monist: The Theory of Interpretation, vol. 73, no. 2, pp. 181-204. ISSN0026-9662 (print)

4) Chapters in almanacs and monographs:
ZEMACH, E., M. 2010.Neexistuje identifikace bez hodnotení. In: KULKA, T. and CIPORANOV, D. eds. Co je umění? Texty angloamerické estetiky 20.století. Praha: Pavel Mervart. pp. 219-236. ISBN 978-80-87378-46-5.

5) Archive materials:
BANÍK, A., A. 2010.Korešpondencia s Pavlom Horváthom. Manuscript. Methodical discussion from 1911. Place: Martin: SNK, Archive of literature and art. Signature A XC/ 4-1.

6) Newspapers:
SLÁDKOVSKÁ, I. and SCŐCZSOVÁ, A. 2014. Zberatelia bez limitov. In: Hospodárske noviny. 24 November, pp. 54-60. ISSN0862-9587.

7) Online sources:

Government document:
Anonym. 2009. Dohovor o ochrane svetového kultúrneho a prírodného dedičstva [online]. [cit. 2013-07-15]
SOŠKOVÁ, J. 2013. Estetika v divadle. In: Espes [online], vol. 2, no. 2 [cit. 2013-10-25].

8) Film, radio programme:
Sense and sensibility. 1995. DVD, Columbia TriStar Home Video, Australia. Directed by Ang Lee.
The lord of the rings: the return of the king. 2003. Motion picture, Imagine Films, Auckland, NZ. Produced by Steve Pyke; directed by Peter Jackson.

9) Lecture, conference presentation:
KALNICKÁ, Z. 2013. Art and Touch (paper presentation on International Congres of Aesthetics, Krakow, Poland, June 25).

10) Interview:
TING, S. 2010. Pierre-Laurent Cassiere: Interview. In: InitiArt Magazine [online] [cit. 2012-12-20].

11) Personal communication:
Not included in Reference List. Cite in-text only. E.g. J. Francis (personal communication, 6 August 2007) was able to confirm that the floods had not reached their area.